MUSIC: It's Raining Today

Speaking of 30th anniversaries, the weekend of May 4th, 1984 gave us two genius artistic presents: the previously blogged about 16 Candles and this beautiful gem, Echo and the Bunnymen's fourth studio album Ocean Rain.

Before you even hit play, you could gaze at that cover image for hours. Such beauty in the cobalt blue glow of it all. Then there's the music:

This single 'The Killing Moon' (given a re-evaluation, after its striking placement at the beginning of the film Donnie Darko), is gorgeous encapsulation of this album. It's the post-punk gloomy rock of the band's origins, but put through a filter of strings and tinkling synths.

Album opener 'Silver' bustles with spirit and is anthemic in a different way than their contemporaries/rivals U2. This album has all the drama and majesty of U2's War and The Unforgettable Fire, but none of the Christian imagery or self-righteous pomposity. Ocean Rain is a much more romantic, melancholy, surreal, dreamlike experience than Bono and co.'s mid-'80s output.

It's hard not to get lost in the epic sway and beauty of the title track:

The Bunnymen are about to release a new studio album, Meteorites, this month. The lead single 'Lovers on the Run' has a slight Ocean Rain resemblance without aping the sound. Kudos to the band for coming back again with a great new single, 35 years on from their origins.

MUSIC: 'Sisy' Boy Sufjan

[The lead photo is just a gratuitous chance to feature Sufjan Stevens in a swimsuit]

NYC (via Michigan) folksinger turned indie darling Sufjan Stevens is a wonder. And that is not just due to the ageless nature of his beauty, it's the way he's taken a 180 from the balladeer and character study-driven songwriting on two albums devoted to two Midwestern states' history (Michigan and Illinois), to become an electronic experimenter.

After coming to fame with his 2005 Illinois album (and some years off to do an endless train of Christmas records), he snuck back in with 2010's The Age of Adz - a sprawling album with Sufjan's folk stylings covered in synths and drum programming.

Now Sufjan has a new band, Sisyphus (named after the disappointed, rock-rolling mythological character) and a full-length album. Joined by electronic artist Son Lux and rapper (yes, I said rapper) Serengeti, Sisyphus makes modern rap/indie RnB style jams. If you're a devotee of his odes to the Lord from his acoustic Seven Swans album, you might have your head twisted hearing his latest collaboration: https://soundcloud.com/sisyphusmusic

I'm not a fan of the rap elements (which comprise a large portion of the album); they are too standard and boring. I would have been more impressed if Sufjan had released this as a solo album under his own name. It is a slick, well-produced modern pop/RnB/hip-hop album and coming from him, that's a bit crazy.

Watch the sublime video for the stand-out song 'Take Me' - lush, beautiful and very modern sounding. NSFW-video, with flashes of bare chests, so beware if that's a problem:

Much like how U2 went all Europop, dance and electronic with their three '90s albums, only after Pet Shop Boys shocked them with their 1991 cover of 'Where the Streets Have No Name,' Sufjan heard my band's 2007 electronic cover of his orchestral anthem 'Chicago' and a few years later came back with a synth-coated take on his own work. Right? Stranger things have happened.

Oh and I leave you with this coz...do you need a reason?